George Lapshynov reviews the new Steven Spielberg film ‘Disclosure Day’. Would alien life threaten Christian belief? 15/06/2026
Steven Spielberg has always looked to the skies for a certain kind of grace. In Close Encounters, the heavens open in light and music. In E.T., the little stranger dies and then comes back to life, showing a lonely child the way to love. The religious imagery was never exactly hidden, but it was usually carried by wonder.
Disclosure Day is different. This time, Spielberg does not merely borrow Christian imagery. He places it centre–stage and asks whether it can survive the plot.
The set–up is familiar enough. A whistleblower has proof that alien life is real. A shadowy corporation wants to keep it secret. The world must be told. Somewhere in the middle of this, a former Catholic novitiate nun worries that revealing extraterrestrial life will make people treat the aliens as gods and abandon their faith. Another (wiser) nun reassures her that God could perfectly well have created life elsewhere too.
So far, so reasonable. Christians do not need to panic at the thought of intelligent life beyond Earth. My colleague Nick Spencer recently made the point well: the discovery of aliens would not make Christianity “ridiculous”, as Tom Paine once claimed. Medieval theologians were speculating about “the plurality of worlds” long before Hollywood discovered flying saucers. There is no Christian dogma requiring alien life to exist, nor one forbidding it. If God is the “Maker of heaven and earth, and of all things visible and invisible”, then other creatures, however strange, would be creatures of the Creator too. They might enlarge our imagination; they would not displace God. A larger universe is certainly not an embarrassment to the Gospel, as it is already held within it.
The problem is not that it asks this question. It is that it seems faintly pleased with itself for having asked it at all. The film portrays Christianity as a provincial belief system that is easily disturbed by changes in our understanding of the world. The moment we realise that aliens really do exist, the film suggests, we will see crucifixes trembling, nuns wavering in their faith, and the faithful rushing to trade the Creed for a UFO press conference.
This is not serious theology. It is a straw man with (in this particular case) a rosary.
To be fair, some of the Christian reaction online has not helped. A small fake scandal erupted around the claim that Spielberg had said Christians would start “second–guessing their own religion”. In reality, he raised the perfectly legitimate question of what a real ‘disclosure’ would do to people’s “fundamental beliefs” and asked whether God is God only on this planet or in every alien civilisation. It is also a question to which Christianity already has better answers than Spielberg appears to realise.
Yet my actual issue with the film is not its misunderstanding of Christianity. It is the salvation story that replaces it.
Jonathan Pageau, in his typical way, has described Disclosure Day as a “late–boomer propaganda film”: aliens as saviours, empathy as the supreme virtue, the mainstream media as priesthood, revelation as broadcast event. One does not need to follow every part of that (occasionally tenuous) reading to see the central point that the aliens are not simply neighbours; they are moral instructors. They arrive, or are revealed, as higher beings whose suffering exposes our cruelty and whose message can rescue us from ourselves.
This is an old trope now. Humanity is violent, divided, selfish and stupid. Then the ‘visitors’ arrive from beyond the stars, purer than us, wiser than us, somehow less compromised by history, sin, politics, and no doubt, social media. They show us that we must choose empathy. Everyone looks up. The music track swells. Salvation descends, tastefully backlit.
The absurdity is that these cosmic redeemers’ apparent saving mission begins with children being lured away into the woods, taken to “Hansel and Gretel’s house” – which turns out to be the aliens’ spaceship – and left with trauma so deep it marks them for decades. An odd first move as saviours go.
Glorification of kidnapping aside, there is something deeply revealing about this. For all that elements of modern secular culture still find the Christian idea of salvation implausible, embarrassing, even dangerous, it remains hungry for salvation all the same. It wants revelation, transcendence, grace, and a messiah who asks only that we be nicer to one another – only without repentance, judgement, or God.
Empathy is certainly not a bad thing. God forbid a Christian think tank should speak out against it. But empathy alone is a very thin gospel. It does not tell us what is true. It does not tell us what is good. It does not tell us how to order our loves, forgive our enemies, restrain our desires, or face death. It is a good feeling more of us should feel, but not a panacaea.
That is why the film’s (surprisingly abundant) Christian imagery jars. The crucifix, the nuns, the stigmata–like wound, the language of revelation and divine beings: all of it gestures towards something deeper than the film’s actual superficial message.
Disclosure Day is a good watch. Emily Blunt is tremendous. Even now, there is something moving in Spielberg’s refusal to surrender wonder. However, this sentimentality is rather disappointing: the aliens are kind, humans are bad, and empathy will save us all.
The good news for all who panicked online is that Christians do not need to second–guess God because Spielberg has rediscovered UFOs and very cliché–looking little green men. We might, however, second–guess Hollywood’s habit of treating Christianity as the fragile superstition from which its own thinner myths can liberate us.
The aliens may or may not be out there. But they are not coming to tidy up our politics, heal our divisions, or save us from ourselves.
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